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The Utagawa school was a group of
Japanese
woodblock print artists founded by
Toyoharu. After his pupil
Toyokuni I took over (after Toyoharu's death), he raised it to become
the most famous and powerful woodblock print school for the rest of the
19th century.
Among it many other luminaries were the great landscape artist
Hiroshige,
Kunisada,
Kuniyoshi and
Yoshitoshi (the last great master of woodblock prints).
The Utagawa
School and Inherited Art-Names
In the main Utagawa school of woodblock artists, there was eventually a
whole series of go (art-names),
from most senior to junior. As each senior person died, the rest would all
move up a step!
The head of the school generally used the go (and signed his
prints) as "Toyokuni"; after
Kunisada I took over as head of the school (in
1842 or so), he started signing as "Toyokuni", and the next most
senior member,
Kochoro, started signing as "Kunisada" (Kunisada II, in this case).
The next most senior member after him, in turn, began signing as
"Kunimasa" (Kunimasa IV, in this case), which had been Kochoro's go
before he became Kunisada II. (The original
Kunimasa I had been a student of Toyokuni I.)
Here is a list of some members of the main Utagawa school, giving the
succession of names used by some of them, along with the modern numbering
of each:
- Toyokuni (I)
- Toyoshige -> Toyokuni (II)
- Kunisada (I) -> Toyokuni (III)
- Kochoro -> Kunimasa (III) -> Kunisada (II) -> Toyokuni (IV)
- Kochoro (II) -> Kunimasa (IV) -> Kunisada (III) -> Toyokuni (V)
The Two Different Toyokuni
"II"s
One final additional complexity is caused by the fact that there are
two different artists who are sometimes referred to as "Toyokuni II".
The first Toyokuni II was
Toyoshige, a mediocre pupil and son-in-law of Toyokuni I who had taken
over as head of the Utagawa school after Toyokuni I died.
Kunisada I (Toyokuni III) despised Toyoshige, and refused to
acknowledge him as head of the Utagawa school. Apparently, this was
because he felt that as the best pupil, he should have been named head
after the old master died, and was upset with Toyoshige, who apparently
got the position because of his family connection.
When Kunisada I took over the art-name Toyokuni (in about 1842), he
"removed" Toyokuni II from house history and for a period actually signed
as "Toyokuni II". Everyone now numbers him Toyokuni III, though. So one
needs to be careful, as there are prints which are signed "Toyokuni II"
but which are actually by the artist we now call Toyokuni III.
This numbering persisted, so when Kochoro became head of the Utagawa
school, he signed as "Toyokuni III", although by our counting he's
Toyokuni IV; and likewise Kochoro II eventually signed as "Toyokuni IV",
when we number him as Toyokuni V.
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