Martial art - codified practices or traditions of unarmed
and armed combat
Martial arts
describes bodies of codified practices or traditions of unarmed and armed
combat, often with the goal of developing both the character of the
practitioner as well as the mindful, appropriate, controlled use of bodily
force. The martial arts, due to a century of exaggerated, exoticized
portrayals in popular media (see
orientalism), has been inextricably bound in the Western imagination to
East Asian cultures and people, but it would be incorrect to say the martial
arts are unique to Asia. Humans have always had to develop ways to defend
themselves from attack, often without weapons, so it would not be correct to
think that unarmed combat originated from East Asia. But what differentiates
the martial arts from mere unarmed brawling is largely this codification or
standardization of practices and traditions, many times in routines called
forms (also called kata, kuen, tao lu, or hyung), and above all, the
controlled, mindful application of force and empirical effectiveness. In
this sense, boxing, fencing, archery, and wrestling can also be considered
martial arts.
Thus, the history of martial arts is both long and
universal. Martial arts likely existed in every culture, and at all classes
and levels of society, from the family unit up to small communities, for
instance, villages and even ethnic groups. One example is tantui, a northern
Chinese kicking art, often said to be practiced among Chinese Muslims.
Systems of fighting have likely been in development since learning became
transferable among humans, along with the strategies of conflict and
war. In the West, some of the oldest written material on the subject is
from the
European 1400s, and written by notable teachers like
Hans Talhoffer and
George Silver. Some transcripts of yet older texts have survived, the
oldest being a manuscript going by the name of
I.33 and dating from the late
1200s.
In recent times, various attempts at reviving historical
martial arts have been done. One example of such
historical martial arts reconstruction is
Pankration, which comes from the Greek (pan, meaning all, kratos,
meaning power or strength).
"Martial arts" was translated in 1920 in Takenobu's
Japanese-English
Dictionary from
Japanese bu-gei or bu-jutsu (武術)
that means "the craft/accomplishment of
military affairs". This definition is translated directly from the
Chinese term, wushu (Cantonese, mou seut), literally, martial techniques,
meaning all manner of Chinese martial arts.
Overview
Martial Arts are, simply put, systems of fighting. There
are many styles and schools of martial arts; however, they share a common
goal - to defend oneself. Certain martial arts, such as
Tai Chi Chuan may also be used to improve health and, allegedly, the
flow of 'qi'.
Not all Martial Arts were developed in Asia.
Savate, for example, was developed as a form of
Kickboxing in
France.
Capoeira's athletic movements were developed in
Brazil.
Martial arts may include disciplines of
striking (i.e.
Boxing, Karate),
kicking,
wrestling (Taekwondo,
Kickboxing,
Karate),
grappling (Judo,
Jujutsu,
Wrestling), weaponry (Iaido,
Kendo,
Kenjutsu,
Naginata-do, Jojutsu, Fencing), or some combination of those three (many
types of
Jujutsu).
Many Asian martial arts traditions are heavily influenced
by Confucian culture. Students were traditionally trained in a strict
hierarchical system by a master instructor ("sensei" in Japanese; in Chinese
"sifu", or "shifu", lit., the master-father), who was supposed to look after
your welfare, and the student was encouraged to memorize and recite
without deviation the rules and routines of the school. Critical
thinking about the tradition was not often encouraged, merely the proper
application of techniques to controlled circumstances. In this hierarchy,
those who entered instruction before the student are considered older
brothers and sisters; those after, younger brothers and sisters. Some system
of certification is usually involved as well, where one's skills would be
tested for mastery before being allowed to study further; in some systems,
such as in kung fu, there were no certifications, only years of close
personal practice under a master, much like an apprenticeship, until the
master deemed your skills sufficient. Today, this pedagogy is rarely used.
The different styles of Asian martial arts are sometimes
divided into two major groups. There are the hard styles
like
Karate and
Kickboxing which favour an aggressive offense, usually involving
striking, in order to quickly defeat an opponent. On the other hand, there
are the so-called soft styles like
Judo,
Tai Chi Chuan or
Aikido which center upon turning an opponent's force against themselves.
It is now difficult, in modern societies, to gauge the
actual effectiveness of martial arts, but among the most popular ways of
doing so throughout the Americas is through sport martial arts tournaments,
exhibitions, and competitions. These types of competitions usually pit
practitioners of one or many traditions against each other in two areas of
practice: forms and sparring. The forms section involves the performance and
interpretation of routines, either traditional or recently invented, both
unarmed and armed, judged by a panel of master-level judges, who may or may
not be of the same martial art. The sparring section in sport martial arts
usually involves a point-based system of light to medium-contact sparring in
a marked-off area where both competitors are protected by foam padding;
certain targets are prohibited, such as face and groin, and certain
techniques may be also prohibited. Points are awarded to competitors on the
solid landing of one technique. Again, master-level judges start and stop
the match, award points, and resolve disputes. After a set number of points
are scored or when the time set for the match expires (for example, three
minutes or five points), and elimination matches occur until there is only
one winner. These matches may also be sorted by gender, weight class, level
of expertise and even age.
On the subject of competition, martial artists vary
wildly. Some arts, such as
Boxing and
Muay Thai train solely for full contact matches, whereas others like
Aikido and
Krav Maga actively spurn such competitions. Some schools believe that
competition breeds better and more efficient practitioners; others believe
that the rules under which competition takes place have removed the combat
effectiveness of martial arts or encourage a kind of practice which focuses
on winning trophies, rather than the more traditional focus, in East Asian
cultures, of developing the Confucian person, which eschews showing off (see
Confucius, also
Renaissance Man.)
As part of the response to sport martial arts, new forms
of competition are being held such as the
Ultimate Fighting Champions in the
U.S. or
Pancrase in
Japan which are also known as mixed martial arts or
MMA events. While the financial
success or failure of these events is not well-known, it is interesting to
note that certain systems do indeed tend to dominate these so-called full
contact or freestyle competitions, and these styles often are the financial
sponsors of these competitions, which tends to cast suspicion on the
validity of such outcomes. Supporters of those styles which win time and
again make the statement that this proves the real-world self defense
effectiveness of their art, but it is all too easy to manipulate the results
to work in one's favor.
Some advocates of freestyle or full contact justify their
sport that in actual hand-to-hand combat the only thing that matters is
defeating the enemy. In actual combat, these advocates claim, stylistic
differences or the counting of points scored are moot. If the primary
objective in competition is to score points on your opponent, this is not a
martial art but a sport. The logical conclusion of this viewpoint is that
there is no such thing as a competition with rules, only gladiatorial
affairs resulting in death, disability, or rendering unconscious of one or
more of the participants. While this type of contest -- for instance, the
Chinese leitai-style contest, where the opponent is not considered
completely defeated until thrown off the stage -- has traditionally been the
manner in which martial arts are proven, there are few events that maintain
this attitude today.
Bruce Lee, the American-born, Hong Kong-bred martial artist and actor,
was among the first in the United States, and perhaps the most influential
theorist-practitioner in martial arts history to challenge many conservative
ideas within martial arts, specifically, combat effectiveness vs. blind
recitation of forms, the fear of non-Asians using their own art against
them, and certain fundamentalist aspects of martial arts. Although he
favored the Southern Chinese art of
Wing Chun, he was well-versed in a number of other Chinese martial
traditions. Arriving in the Seattle area in the 1960s, he soon encountered
styles of other martial arts, such as those practiced by established
communities of post-Internment
Japanese Americans and Filipino Americans in the Pacific Northwest. As an
undergraduate philosophy student at the University of Washington, and after
graduation, he began to teach
kung fu to non-Chinese. At some point, he began to realize that even as
martial arts maintained bodies of techniques, uncritical maintenance of
traditions, and rote recitation of forms strangled combat effectiveness and
dynamic response in the practice of unarmed combat. Couching his language in
Taoism (also
Daoism), but with a kind of hard pragmatism, he sought to create a
mental framework -- "no style as style" -- focused solely on the improvement
of unarmed combat. This attitude absorbed influences from all martial arts
-- Filipino armed and unarmed techniques, European and Japanese grappling,
wrestling, and fencing techniques, Korean kicking techniques, Chinese close
range hand techniques -- and were evaluated for their effectiveness. With
his untimely death however in 1973, he was unable to develop and articulate
his philosophy further, but, what he had already developed has since been
built upon by his students and colleagues and developed, ironically, into a
new style, which Lee himself named "jeet kune do" (Cantonese, lit. way of
the intercepting fist). To resolve this contradiction, practitioners, and
more specifically, teachers of jeet kune do often maintain that what they
practice is not a style or a tradition, but concepts. Whatever the case may
be, Bruce Lee left an indelible legacy in the history of the martial arts,
which has forever changed how the martial arts are thought about and
practiced.
Asian Martial Arts
Borneo
Bersilat
Burma
Bando
China all Chinese martial arts called
Kung Fu,
Wushu, Ch'uan Fa or Kuntao
Internal styles: see
Nei chia
Hsing Yi (Hsing I)
Pakua Chuan
Tai Chi Chuan
Ba Gua
External,
Shaolin Quan, and combination styles:
Black Crane Kung Fu
Black Tiger Kung Fu
Chin Na
Choy Lay Fut
Dragon Kung Fu
Five Ancestors Kung Fu
Go-ti Boxing
Hung Gar
Leopard Kung Fu
Monkey Kung Fu
My Jong Law Horn
Northern Praying Mantis
Pak Mei (White Eyebrow)
Shuai Jiao
Snake Kung Fu
Southern Praying Mantis
San Da
San Shou
Tiger Kung Fu
Wing Chun
Wing Tsun
White Crane
Indonesia
Kuntao
Silat
Tarung Derajat
Japan
Aikido
Aiki Jutsu (see
Daito Ryu)
Bojutsu
Jujutsu (Jiu Jitsu, Ju Jitsu)
Jojutsu
Judo
Karate
Kenpo
Kendo
Kenjutsu
Kobudo
Kyokushin Kai
Kyudo
Naginata-do
Ninjutsu
Ninpo
Shintaido
Shorinji kempo
Sumo
Taijutsu
Taido
Tanto Jutsu
Tegumi
Korea
Gjogsul
Hapkido
Hwa Rang Do
Kuk Sool Won
Kumdo
Soo Bahk Do
Taekyon
Tae Kwon Do
Tang Shou Dao
Tang Soo Do
Yudo
Yusul
Malaysia
Silat
Mongolia
Mongolian wrestling
Thailand
Krabi Krabong
Lerdrit
Muay Boran
Muay Thai
Thai Kickboxing
Thaiboxing
Philippines (Filipino
Martial Arts or
FMA)
Arnis (see
Eskrima)
Balintawak
Buno
Cadena de Mano
Combat Judo
Doble Olisi
Dumog
Eskrido
Eskrima
Eskrima De Campo
Espada y daga
Estoca
Estocado
Filipino Kuntao
Gokusa
Kadena de Mano
Kali (see
Eskrima)
Kombatan
Kuntao
Kuntaw
Kuntaw Lima-Lima
LAMECO Escrima
Mano Mano
Modern Arnis
Panandata
Pananjakman
Panantukan
Pangamot
Pangamut
Pekiti Tirsia Kali
Sagasa
Sikaran
Suntukan
Tat Kun Tao
India
But Marma Atti
Gatka
Kalaripayatu
Kalari Payit
mallak-rida
malla-yuddha
niyuddha-kride
Silambam Nillaikalakki
Vajra Mushti
Vietnam
Cuong Nhu
Quan Khi Dao
Viet Vo Dao
Vo Vi Nam
European Martial Arts
·
Boxing
ESDO
Fencing
Glima
Historical fencing
Jogo do Pau
Leonese fighting
Pankration
Schwingen
Wrestling
England
Cornish Wrestling
Cumberland wrestling
Llap-goch
Lutte Breton
Purring
Westmoreland wrestling
France
Boxe Francaise
Chausson
Chausson Marseilles
Lutte Parisien
Savate
Savate-Danse du Rue
Germany
Anti Terror Kampf
Gojutedo
Individual Fighting Concepts Mallepree
Kenjukate
MilNaKaDo
Stockfechten
Ireland
Bata
Collar and Elbow
Israel
Haganah system
Krav Maga
Krav Maga Maor
Wu Wei Kung Fu
Italy
Caestus
Graeco-Roman wrestling
Scherma di daga
Netherlands
Amsterdams Vechten
Russia
Agni Kempo
Armeiskii rukopashnyi boi
Boevoi Gopak
Buza
Cambo
Combo
Draka
Kolo
Kulachnoi Boya
ROSS
Rukopaschnij Boj
Russky Stil
Russian Boxing
Sambo (Sombo)
Samoz
Skobar
Slada
Slawjano-Goritzkaja Borba
Spas
Systema
Systema Kadochnikowa
UNIBOS
Velesova Borba
Vyhlyst
Wjun
Scottland
Greenoch
Spain
Zipota
Uzbekistan
Kurash
Middle East
Iran
Koshti
Wu Wei Kung Fu
Africa
Angola
Capoeira d'Angola
Egypt
Egyptian stick fencing
Guinee
Peul
Kenya
Massaï
Senegal
Dioula
Sudan
Nuba fighting
OtherAfrican
Martial Arts==
Canarian fighting
Zulu stick fighting
Kalindi Lyi
South American Martial Arts
Brazil
Brazilian Jiu Jitsu
Capoeira
Luta Livre
Guam
San Jitsu
North American Martial Arts
USA
All Style Karate
American Combat Judo
American Combat Sambo
American Kempo Karate
American Kenpo also see
Ed Parker
Anarchist Simple Street Fighting
Pacific Archipelago Combatives
Choi Kwang-Do
Chu Fen Do
Combat Submission Wrestling
Dog Brothers Martial Arts
Dos Manos System (this is NOT
Dos Manos!)
Full Contact Karate
Jailhouse Rock
Jeet Kune Do
Jeet Kune Do Concepts
Kickboxing
Kajukenbo
Marine Corps LINE Combat System
Natural Spirit
Progressive Fighting System
SCARS
Shoot Fighting
Taebo
World War Two Combatives
Misc
·
All-Style-Do Karate
Bajawah Boxing
Catch-As-Catch-Can
Combat Bujutsu
Combat Hapkido
Combat Ju Jutsu
Combat Karate
Defendo
Defendu
Eskimo Fighting
Gun Kata
Inoui Fighting
JKD Real Combat
Jukado
Kalimasada
Kali Sikaran
La Lutte
Lima Lama
Progressive Self Defence System
Savasu
Silek
Sport Karate
Street Sambo
Taekido
Taibo
Thaikido
Tidju Boxing
Wing Kido Kai
Martial Arts
Weapons
Arnis sticks
bow and
arrow
Yumi (Japanese longbow)
Knife
Balisong
Tanto
Kris (traditional Malay weapon)
Nunchaku
Quarterstaff
Bo,
Jo and
Hanbo (Japanese staff weapons)
Rapier
Spear
Naginata (Japanese halberd)
Yari (Japanese spear)
Sword
Bokken (Japanese wooden swords, also called as bokuto)
Bolo
Broadsword
Iaito (Practise weapon used in
Iaido)
Kampilan
Shinai (Japanese bamboo sword)
3 Sectional Staff
Chain Whip
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